Love off the Radar features fourteen tantalizing, otherworldly tales of love, romance, passion, and mystery, by the best-selling team of A.J. Llewellyn and D.J. Manly. In Chaos, a fallen god looks for love at a truck stop. A young man hovers between love and death in Hardsex. Before Morning is an erotic, romantic, volcanic vampire tale set in Feudal Japan – with a serious twist. Mojo Rising is a scandalous tale of same-sex love set in the South Seas.
D.J. Manly addresses BDSM in Disciplining Baron, and the two authors join forces for the paranormal title story Love off the Radar. Which will kill Mo Dingley first? Love, or a curse? Speaking of curses, Have you ever read the personal journals of a werewolf, or a vampire? Now's your chance! We've also got two very different love stories set in the time of Atlantis, and the sad but sweet Clean Monday, a coming-out story with a surprising hero. There are sexy, spicy tales involving zombies, where boys meet boys and almost…eat them. We have it all because love is love, and can't always be wrapped up in a neat little bow.
From the title story Love off the Radar:
Mo should have suspected the universe was about to hose him when he arrived at the office and found the receptionist sniveling over her laptop. He'd assumed she was having some personal crisis. He felt a little guilty now that he'd uttered a brusque "Good morning" and had walked right by her.
When Jonathan Sampson personally buzzed Mo and invited him into the conference room for coffee, he'd assumed—again, stupidly—that he was about to be given a raise. He'd played the imaginary conversation in his mind as he quickly combed his thick, sandy-colored hair, straightened his bolo tie, and had run his fingertips over his unruly eyebrows.
He'd walked in, full of smiles, hoping to be commended for the brilliant job he'd done designing and overseeing a synagogue completely built out of recycled materials and powered by solar energy. It had appeared on the evening news, and Architectural Digest was featuring it next month.
Mo suspected that the big-bucks job hadn't impressed Buckley and Sampson because the synagogue was a GLBT one. And gay didn't go down too well in the company, even though their lone gay architect had, in three short months, brought them almost four million dollars in revenue.
No. What he got was a year in fingle-fangled Japan. It beat his last job where he'd spent a year in Kentucky designing the same ergonomic office spaces over and over again.
Mo stared into his still full cup of coffee, prepared for him by the sniveling receptionist. He wondered if she'd wept into his cup.
"Well?" Sampson asked.
"May I think it over tonight?"
Mr. Sampson looked disappointed. "I'll give you twenty-four hours. You'll need to leave by Monday."
Mo swallowed. Hard. "What about the accounts I'm working on?"
Mr. Sampson couldn't look at him. "We're going to hand them over to some of our junior executives."
"But those are my accounts. My relationships brought in those deals." Asshole. I just figured it out. They used me to get the contracts, now their straight account executives are going to complete the projects. They'll never do the job I could do.
He left the office for the meeting he'd scheduled with the rabbi. He adjusted his black Stetson on his head, straightened his bolo tie and used a bristle brush to clean his black suit. Not that he needed it.
It was always good to make sure though. Sometimes when he morphed back into human form, he forgot himself and wolf hairs stuck to him.
He stared down at his black cowboy boots. He'd come to California with three pair and these were his favorite, lucky boots. Well, they weren't so lucky this morning.
Mo drove to West Hollywood in a daze, trying to imagine not being here anymore. He was surprised when he hit the turnoff on the ten for La Cienega Boulevard and headed south. On Pico, he found street parking and almost didn't pay for the meter. Just out of spite. But it would be just his luck if a parking ticket haunted him across the Pacific.
He slid his credit card into the meter, paid for two hours, not that he thought he'd need it, then stood back to survey his golden beauty. From the outside, the synagogue looked very utilitarian. Inside, it was cozy, temperate, and gorgeous. As he strode into the building, he admired once again the carpet that had been fashioned by his ex-lover, Andrew, out of recycled jeans.
Each and every item used in the construction of the Temple Ruth Center had been a labor of love for Mo, and the artisans he'd brought in to help him with the project. Though not Jewish, he admired the rabbi, Beth Cohen, and the synagogue's motto of ikkun olan (repair the world).
He believed in beautiful spaces. He believed in being responsible and being accountable. Even as he shook the rabbi's hand and greeted the reporter from Architectural Digest, he knew his time in LA was short. He could sniff it out, like a coming Santa Ana wind and knew.
Mo Dingley was going to Japan.
He slept badly, falling into a restless snooze on the sofa whilst watching a design program on HGTV. He awoke to canned laughter and raised his head from the cushions tucked under his arm. Somehow he'd rolled over onto the remote and he'd hit an obscure cable station. An old episode of Seinfeld was playing. He'd never seen this one before, but in it, Kramer was renting out drawers in his bedroom bureau to stranded Japanese tourists. He watched as Kramer tucked them into their makeshift beds, wishing them a good night's sleep.
I can't sleep in a drawer! Are beds really that small there?
He hit the Internet and checked the address that Sampson had written down for him. He was astonished at how wonderful it seemed. The apartment, located in the neighborhood of Akasaka (Red Hill in English) in the Minato-ku district, was right near his new office, and two blocks from the American Embassy. According to the blogs he read, foreigners gravitated toward this area because of its international supermarkets. Almost everybody spoke English. During the day, it was a hard-working business area. At night, its restaurant and clubs ensured a busy evening, as well. Weekends, according to his research were much quieter, because the working men went to their own neighborhoods.
The ancient streets featured some geisha houses, which tickled him. He wondered if there were gay ones. How far was it from the gay district? And what was it called, anyway? He checked. Shinjuku Ni-ch?me. Popularly known as Nich?. Now that looked really cool. Saunas, coffee shops, bars. Beautiful men.
As long as he could escape into solitude each full moon, he'd be fine.
I think I could live there. He studied the apartment building. The Akasaka Tower building was so tall it made him dizzy looking at him.
This ain't no mustang ranch, sport. He took a deep breath. He was able to view an apartment via virtual tour. It looked very modern and clean, with granite countertops in the kitchen and surprisingly huge windows overlooking the city. The bedroom looked big enough. It sure beat the heck out of being unemployed.
He eyed the time on his VCR/DVD player. Ten fifteen P.M.
On the TV, as Jerry and Elaine acted shocked about Kramer renting the Japanese tourists his bedroom drawers, Kramer defended himself by saying, "Have you ever seen the business hotels in Tokyo? They sleep in tiny stacked cubicles all the time! They feel right at home!"
He sighed at the racist overtones to the plotline. Maybe this was his opportunity to offer his input into ikkun olan. Maybe he could help in some way make a contribution to repairing the world.
Mo picked up the phone and called Jonathan Sampson. He wasn't surprised when the man answered.
"I'm in," was all Mo said. And then he started to pack.
A.J. Llewellyn’s obsession with myth, magic, love, and romance might have led to serious stalking charges had it not been for the ability to write. Thanks to the existence of some very patient publishers, A.J.’s days are spent writing, reading and dreaming up new worlds. A.J. has definitely stopped Google-searching former boyfriends and given up all ambition to taste test every cupcake in the universe to produce over 200 published gay erotic romance novels.
A.J. wants you to read them all. A.J. can be found lurking on Facebook and Twitter—part-time class clown being another occupation. When not writing or reading, A.J.’s other passions include juggling, kite-boarding, and spending a fortune buying upgrade apps for Pearl’s Peril and Farm Heroes Saga.
I write not only for my own pleasure, but for the pleasure of my readers. I can't remember a time in my life when I haven't written and told stories. When I'm not writing, I'm dreaming about writing. Eroticism between consenting adults, in all its many forms is the icing on the cake of life but one does not live by sex alone. The story of how two people find love in spite of the odds is what really turns me on.
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